Download ➾ The Seven Basic Plots: Why We Tell Stories Author Christopher Booker – Pv1.info

Download ➾ The Seven Basic Plots: Why We Tell Stories Author Christopher Booker – Pv1.info This Remarkable And Monumental Book At Last Provides A Comprehensive Answer To The Age Old Riddle Of Whether There Are Only A Small Number Of Basic Stories In The World Using A Wealth Of Examples, From Ancient Myths And Folk Tales Via The Plays And Novels Of Great Literature To The Popular Movies And TV Soap Operas Of Today, It Shows That There Are Seven Archetypal Themes Which Recur Throughout Every Kind Of Storytelling But This Is Only The Prelude To An Investigation Into How And Why We Are Programmed To Imagine Stories In These Ways, And How They Relate To The Inmost Patterns Of Human Psychology Drawing On A Vast Array Of Examples, From Proust To Detective Stories, From The Marquis De Sade To ET Christopher Booker Then Leads Us Through The Extraordinary Changes In The Nature Of Storytelling Over The Past Years, And Why So Many Stories Have Lost The Plot By Losing Touch With Their Underlying Archetypal Purpose Booker Analyses Why Evolution Has Given Us The Need To Tell Stories And Illustrates How Storytelling Has Provided A Uniquely Revealing Mirror To Mankind S Psychological Development Over The Past YearsThis Seminal Book Opens Up In An Entirely New Way Our Understanding Of The Real Purpose Storytelling Plays In Our Lives, And Will Be A Talking Point For Years To Come


10 thoughts on “The Seven Basic Plots: Why We Tell Stories

  1. James James says:

    An absolutely infuriating book The basic premise, that there are a limited number of basic structures to be found in narrative storytelling, is fair enough but hardly anything new Booker makes some good connections and some of them are undeniably on the money But the whole book is infected by Booker s right wing, traditionalist ideology that it becomes, as it goes along, a deeply unpleasant, reactionary read For Booker, the ideal man is a martial warrior the ideal woman a housewife same i An ab


  2. Richard Richard says:

    Addendum the New Yorker cartoonist Emily Flake implicitly argues there are only six basic plots.Back to the regularly scheduled quasi reviewAll in all, there is some incredibly worthwhile information here Too bad it s overlong, and much worse it shows a nasty writer at his opinionated nastiest.But it looks like I never got around to constructing an actual review So here are my notes They ll have to do.Recommendation Read all of Section 1, containing descriptions of Addendum the New Yorker cartoonist


  3. Milena March Milena March says:

    Though I m a little uncomfortable dismissing a book that has taken someone half a lifetime to write, I can t help but think that when it comes to The Seven Basic Plots the author s time could really have been better spent There were points where this book outright insulted me as a literature student, as a feminist, as a psychology major, and as a lover of stories in general.The idea of applying Jungian theory to literature is not new, but reading this book often had me wondering whether such a Though I m a l


  4. Jessica Healy Jessica Healy says:

    So I was uncomfortable, early on, with the extreme heteronormative attitude, and the appropriation of Freudian Jungian discourse as if these theories are just self evident, but I gave it a bit of leeway, because, if problematic, that kind of analysis is at least widespread But my discomfort and suspicion grew, and at last, I could read noI gave up after he attempted to discuss Frankenstein, by Mary Shelley Here are the sentences that almost broke my brain The question which then ari So I was uncomfortable, early on


  5. Katie Katie says:

    700 pages A great deal of which is repetition of ideas and extensive plot summaries of exemplar stories throughout time, and can be skimmed The ideas put forth in this book are appealing intuitively if ultimately unfalsifiable, and familiar if you ve ever gotten into Jungian psychology or Joseph Campbell Basically we re talking about archetypes, the psyche, and evolutionary drives the human desire to re connect with something greater, which might be god orlikely perpetuation of the 700 pages A great deal of which is repetition of ideas and extensive plot summaries of exemplar stories throughout time, and can be skimmed The ideas put forth in this book are appealing intuitively if ultimately unfalsifiable, and familiar if you ve ever gotten into Jungian psychology or Joseph Campbell Basically we re talking about archetypes, the psyche, and evolutionary drives the human desire to re connect with something greater, which might be god orlikely perpetuation of the species The plots he identifies as the seven basic are for those curious overcoming the monster, rags to riches, the quest, voyage and return, comedy a specific plot, not necessarily humorous , tragedy, and rebirth and he later adds a few the universal plot is the struggle of light against dark the archetypal family drama is the rise of the son daughter to inner maturity and sexual union, to become the father mother him herself Whatever is confusing to you from my brief summary just might be cleared up by reading skimming these 700 pages yourself Overall, I found it stimulating reading and often found myself jotting down abstract notes pertaining to works in progress if I didn t, as I hoped, find the solution to all my narrative problems, I did find an illuminating new way of framing them


  6. Rachel Rachel says:

    Finished at last What an utter waste of time but in a sick sort of way I just had to keep going, to see just how bad it could get He started off with a good idea that a lot of stories have similar basic plot outlines Unfortunately he then gets a bit carried away, comes up with a formula, then applies it not just to literature, but the whole of human history Which is all a decline from some prelapsarian state of blessedness It s like the theory of the four humours in medicine it seems Finished at last What an utter waste of time


  7. Michael Herrman Michael Herrman says:

    This book is 5x thicker than it needed to be If it didn t make a very few fine observations I would have thrown it against the wall, which would have left a considerable hole.Repetition aside, its greatest weakness is Booker s inability to disentangle his personal prejudices from what makes a story work in the general sense For example, according to Booker, if the hero doesn t vanquish the villain and run off with the victimized female who, he maintains, is nothingthan a projection of This book is 5x thicker than it needed to be If it


  8. Santiago Ortiz Santiago Ortiz says:

    This book is actually many things An introduction to the seven basic plots and their many associated archetypes that work in combination A system It can be applied to any story you know and it s fun to do so A tool An almost obligatory read for anyone who invents stories If you don t tap on this 37 years research you re simple on disadvantage It s not that everyone should follow the author s guidance in order to write stories that fulfill the self and not the ego, on the contrary, a This book is actually many things An introduction to the sev


  9. Mark Mark says:

    The Seven Basic PlotsAuthor Christopher BookerPublisher Continuum International Publishing GroupPublished In New York City, NY London, UKDate 2004Pgs 728_________________________________________________REVIEW MAY CONTAIN SPOILERSSummary A small number of basic stories permeate the world They are hardwired into the human psyche These plots exist in ancient myths, folk tales, play, novels, campfire tales, James Bond, Harry Potter, and Star Wars These plots go to the way that we imagine s The Seven Basic PlotsAuthor Christopher BookerPublisher Continuu


  10. Rita Crayon Huang Rita Crayon Huang says:

    I didn t mean to read this book I just wanted to know see what the seven basic plots were But I devoured the first 300 pages in a way that made me realize I just might read all 700 It s just so lucid With all this yummy discussion of well known stories from throughout the ages, FOR all agesThe next 150 pages or so have made me increasingly uneasy, as we discuss all the ways in which stories can go wrong AND what this says about their authors Not to mention us as a society AND I didn t mean to read this book I just wanted to know see what the seven basic pl


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